Selected Bibliography      Download PDF (Bio / Bibliography)

WRITINGS AND RECORDINGS
BY THE ARTIST

Zyklus for One Percussionist. Wergo WER 60010 (LP), 1963.

Electronics and Percussion: Five Realizations by Max
Neuhaus
. Columbia Masterworks MS 7139 (LP), 1968.
Liner notes by Max Neuhaus.

Cycle for One Percussionist (In Two Different Versions).
Heliodor 2549 016, 1970. Featuring Christoph Caskel, Max
Neuhaus, Frederic Rzewski, Karlheinz Stockhausen. Liner
notes by Hanspeter Krellman.

“BANG, BOOooom, ThumP, EEEK, tinkle.” New York Times,
December 6, 1974, p. 39.

Program Notes. Toronto: York University, 1974. Excerpted in
Max Neuhaus: Sound Works, vol. 1, Inscription.

“Situation Esthetics: Impermanent Art and the Seventies
Audience: Max Neuhaus.” Artforum 18, no. 5 (January
1980), pp. 27–29. Reprinted as “Modus Operandi,” in Max
Neuhaus: Sound Works
, vol. 1, Inscription, 1994.

Lecture at Seibu Museum Tokyo,” 1982. In Max Neuhaus:
Sound Works
, vol. 1, Inscription. Full text at
http://www.max-neuhaus.info/bibliography/Tokyo.htm.

Lecture at University of Miami,” 1984. In Max Neuhaus:
Sound Works
, vol. 1, Inscription. Full text at
http://www.max-neuhaus.info/bibliography/Miami.htm.

“Audium, Projekt für eine Welt als Hör-Raum.” In Vom
Verschwinden der Ferne: Telekommunikation und Kunst
.
Cologne: DuMont, 1990, pp. 119–28.

Listen.” In Max Neuhaus: Elusive Sources and “Like”
Spaces
. Turin: Galleria Giorgio Persano, 1990.

Notes on Place and Moment,” 1992. In Max Neuhaus: Sound
Works
, vol. 1, Inscription. Full text at http://www.maxneuhaus.
info/soundworks/vectors/moment/notes/.

Siren—Aural Design.” Kunst & Museumjournaal 4, no. 6
(1993), pp. 12–18.

The Broadcast Works and Audium.” In Zeitgleich: The
Symposium, the Seminar, the Exhibition
. Vienna: Triton,
1994.

The Institutional Beast,” 1994. In Max Neuhaus: Sound
Works
, vol. 1, Inscription. Full text at http://www.maxneuhaus.
info/bibliography/InstitutionalBeast.htm.

Sound Design.” In Zeitgleich: the Symposium, the Seminar,
the Exhibition
. Vienna: Triton, 1994.

Sound Art?” Liner notes for Volume: Bed of Sound. P.S. 1
Contemporary Art Center, New York, July 2000. Audio
CD.

Fontana Mix–Feed: Six Realizations of John Cage 1965/1968.
Alga Marghen, Milan, plana-P 18NMN.044, 2003. Liner
notes by Donald J. Henahan, Max Neuhaus, and Theodore
Strongin.

The New York School: Nine Realizations of Cage, Feldman,
Brown
. Alga Marghen, Milan, plana-N 22NMN.052, 2004.
Liner notes by Malcolm Goldstein, Max Neuhaus, John
Rockwell, and Theodore Strongin.

Zyklus: Stockhausen, Neuhaus. Alga Marghen, Milan, plana-
P 23NMN.054, 2004. Liner notes by Max Neuhaus and
John Rockwell.

“Netzwerke.” Neue Zeitschrift für Musik, no. 5
(September–October 2004).

Vortrag Neuhaus.” In End of Art—Endings in Art. Ed.
Gerhard Seel. Basel: Schwabe Verlag, 2006. Online at
http://www.max-neuhaus.info/bibliography/IAPA.htm.


BOOKS AND CATALOGUES

Max Neuhaus: Sound Installation. Basel: Kunsthalle Basel,
1983. Texts by Jean-Christophe Ammann, Max Neuhaus,
and Carter Ratcliff. Ammann and Ratcliff texts reprinted in
Max Neuhaus: Sound Works, vol. 1, Inscription.

Max Neuhaus: Sound Installation. Providence, R.I.: Bell
Gallery, Brown University, 1983.

Max Neuhaus: Installations Sonores. Geneva: Marie-Louise
Jeanneret Art Moderne, 1984. Text by Pierre Restany.

Max Neuhaus. Locminé: Centre d’art contemporain, Domaine
de Kerguéhennec, 1987. Text by Denys Zacharopoulos.

Max Neuhaus: Sound Line. Grenoble: Magasin, Centre
National d’Art Contemporain, 1988. Text by Franz Keiser
reprinted in Max Neuhaus: Sound Works, vol. 1,
Inscription.

Max Neuhaus: Two Sound Works 1989. Bern: Kunsthalle
Bern and Kölnischer Kunstverein, 1989. Texts by Wulf
Herzogenrath, Ulrich Loock, and Max Neuhaus.

Max Neuhaus: Elusive Sources and “Like” Spaces. Turin:
Giorgio Persano, 1990. Text by Denys Zacharopoulos;
conversation with Ulrich Loock reprinted in Max Neuhaus:
Sound Works
, vol. 1, Inscription.

Max Neuhaus: Two Side of the “Same” Room. Dallas: Dallas
Museum of Art, 1990. Text by Sue Graze.

Max Neuhaus: Sound Works, vol. 1, Inscription. Ostfildern-
Ruit, Germany: Cantz, 1994. Original interview with
William Duckworth
; text by Wulf Herzogenrath translated
from the German by Margret Joss; text by Denys
Zacharopoulos translated from the French by Charles
Penwarden; text by Germano Celant translated from the
Italian by Brian Holmes.

Max Neuhaus: Sound Works, vol. 2, Drawings. Ostfildern-
Ruit, Germany: Cantz, 1994. Texts by Yehuda Safran and
Max Neuhaus.

Max Neuhaus: Sound Works, vol. 3, Place. Ostfildern-Ruit,
Germany: Cantz, 1994.

Max Neuhaus: Zeichnungen. Heilbronn: Kunstverein
Heilbronn, 1994.

Max Neuhaus: Evocare l’udibile. Milan: Charta, 1995. Texts
by Ida Gianelli, Gregory des Jardins, Stuart Morgan, et al.

Max Neuhaus: La Collezione, The Collection. Milan: Charta,
in association with Castello di Rivoli, Museo d’Arte
Contemporanea, 1997. Texts by Max Neuhaus and Pier
Luigi Tazzi.

Max Neuhaus: Moment / Stund. Reykjavik: Second Floor,
1997.

Three to One: Max Neuhaus. Brussels: Encore, in association
with La Lettre Volée, 1997. Texts by Zsuzsanna Gahse,
Max Neuhaus, and Yehuda Safran.

Max Neuhaus: Ears. Paris: Onestar Press, 2001.

Max Neuhaus: Time Piece Stommeln. Pulheim: Der
Bürgermeister, 2007. Texts by Max Neuhaus and Ulrich
Loock.


ARTICLES AND REVIEWS

Strongin, Theodore. “Concert Is Given By Percussionist.”
New York Times, June 3, 1964, p. 36.

Goldstein, Malcolm. “Neuhaus Realizations.” Village Voice,
June 1964.

Strongin, Theodore. “Artist ‘Realizes’ Taped Music and Plays
Piano from Inside.” New York Times, March 23, 1965,
p. 34.

Saltzman, Eric. “Max Neuhaus’s Electronics and Percussion.”
HiFi Stereo Review (November 1968).

Monson, Karen. “Neuhaus’s Submerged Premiere.” Christian
Science Monitor
, January 19, 1972, p. 6.

Hiffner, Amy. “Interview avec Max Neuhaus.” Artitudes
International
, nos. 9–11 (April–June 1974), p. 70.

Brunelle, Al. “Deep Float: Neuhaus’ ‘Water Whistle.’” Art in
America
62, no. 5 (September–October 1974), p. 91.

Johnson, Tom. “Creating the Context: Max Neuhaus.” Village
Voice
, December 6, 1976. Reprinted in Max Neuhaus:
Sound Works
, vol. 1, Inscription.

Rockwell, John. “Whistle While You Tune In to Avant-Garde
Radio.” New York Times, January 2, 1977, p. 73.

La Barbara, Joan. “Max Neuhaus: New Sounds in Natural
Settings
.” Musical America (October 1977). Reprinted in
Max Neuhaus: Sound Works, vol. 1, Inscription.

Lorber, Richard. “Max Neuhaus, Times Square.” Artforum 16,
no. 5 (January 1978), p. 64.

Foster, Hal. “Exhibition Reviews.” Artforum 18, no. 5
(January 1980), p. 70.

Princenthal, Nancy. “Sounds of Violence: Max Neuhaus’
Siren Project.” Artforum 20, no. 9 (May 1982), pp. 70–71.

Rockwell, John. “Environmental Composers & Ambient
Music: Max Neuhaus.” In All American Music. New York:
Knopf, 1983. Reprinted in Max Neuhaus: Sound Works,
vol. 1, Inscription.

Javault, Patrick. “Max Neuhaus: Noises in the Corridor.”
Art Press, no. 100 (February 1986), p. 55.

Restany, Pierre. “Max Neuhaus: concetto e metodo di una
architettura Sonora.” Domus, no. 684 (June 1987), p. 3.

Ratcliff, Carter. “Max Neuhaus: Aural Spaces.” Art in
America
75, no. 10 (October 1987), pp. 154–63.

Cueff, Alain. “Max Neuhaus: The Space of Sound.” Artscribe
International
, no. 71 (September–October 1988), pp. 66–67.
Reprinted in Max Neuhaus: Sound Works, vol. 1, Inscription.

Tomkins, Calvin. “HEAR.” New Yorker (October 24, 1988),
p. 110. Reprinted in Max Neuhaus: Sound Works, vol. 1,
Inscription.

Danto, Arthur. “Max Neuhaus: Sound Works.” Nation 252,
no. 8 (March 4, 1991), pp. 281–84. Reprinted in Max
Neuhaus: Sound Works
, vol. 1, Inscription.

Weingarten, Susanne. “Brummen vor dem Tor.” Der Spiegel
(September 7, 1992), pp. 276–79. Reprinted in Max
Neuhaus: Sound Works
, vol. 1, Inscription.

von Drathen, Doris. “Max Neuhaus: Invisible Sculpture—
Molded Sound
.” Parkett, no. 35 (March 1993), pp. 18–29.
Reprinted in Max Neuhaus: Sound Works, vol. 1,
Inscription.

Szeemann, Harald. “Max Neuhaus.” Kunstforum
International
, no. 127 (July–September 1994), pp. 176–77.
Reprinted in Max Neuhaus: Sound Works, vol. 1,
Inscription.

Schwarze, Dirk. “Max Neuhaus und Karel Malich.”
Kunstforum International, no. 131 (August–October 1995),
pp. 404–6.

Tazzi, Pier Luigi. “Constructed Sound: Max Neuhaus.” Carte
d’Arte Internazionale
(November 1997).

Tarantino, Michael. “Two Passages.” http://www.maxneuhaus.
info/soundworks/vectors/passage/twopassages/,
1998.

von Drathen, Doris. “Gebaute Töne.” Künstler: Kritisches
Lexikon der Gegenwartskunst
41, no. 5 (1998).

Leffingwell, Edward. “Max Neuhaus at Christine Burgin and
P.S. 1.” Art in America 89, no. 4 (April 2001), p. 136.

Zuckerman, Alicia. “Max Neuhaus: Times Square.” Arts
Electric
. http://www.arts-electric.org/stories/2002/
020530_neuhaus.html. May 30, 2002.

Ryan, David. “Max Neuhaus.” Art Monthly, no. 275 (April
2004), p. 42.

Safran, Yehuda. “Shaping Sound.” Domus, no. 876 (December
2004): pp. 72–77.

Cascella, Daniela. “Max Neuhaus.” Contemporary, no. 75
(2005), pp. 38–39.

Loock, Ulrich. “Times Square, Max Neuhaus’s Sound Work
in New York City
.” Open: Cahier on Art in the Public
Domain
4, no. 9 (2005).

Traub, Peter. “Auracle.” http://www.max-neuhaus.info/
bibliography/PeterTraub.pdf, 2005.

LaBelle, Brandon. “Tuning Space: Max Neuhaus and Site-
Specific Sound
.” In Background Noise, Perspectives on
Sound Art
, pp. 154–66. New York: Continuum, 2006.

Davila, Thierry. “Max Neuhaus, Times Square.” Art Press 2,
no. 5 (June 2007).

Reust, Hans Rudolf. “While Walking.” http://www.maxneuhaus.
info/bibliography/HansRudolfReust.pdf, 2007.

Carter, Kabir. “Houston; New York; and Beacon, New York.”
Modern Painters 20, no. 6 (July–August 2008), pp. 82–83.

Cox, Christoph. “Enduring Work: On Max Neuhaus
(1939–2009)
.” Artforum 47, no. 9 (May 2009),
pp. 49–50, 52.